{"id":42560,"date":"2026-01-27T12:30:54","date_gmt":"2026-01-27T11:30:54","guid":{"rendered":"https:\/\/fifdh.org\/?p=42560"},"modified":"2026-01-27T12:33:44","modified_gmt":"2026-01-27T11:33:44","slug":"new-fifdh-media-collaborations","status":"publish","type":"post","link":"https:\/\/fifdh.org\/en\/festival\/news\/new-fifdh-media-collaborations\/","title":{"rendered":"New FIFDH media collaborations"},"content":{"rendered":"\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\"><strong><strong>&nbsp;In dialogue with a programme that brings together documentary and fiction, the Festival explores how images shape our perception of the world, while inaugurating new collaborations with engaged media outlets. <\/strong><\/strong><\/h2>\n\n\n\n<div style=\"height:19px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"block block-image\">\n<figure>\n  <div class=\"ratio ratio-16x9\">  <img decoding=\"async\" width=\"720\" height=\"405\" src=\"https:\/\/fifdh.org\/wp-content\/uploads\/2026\/01\/mybrotherskeeper_16_9_the_guardian_docs_720.webp\" class=\"img-cover\" alt=\"\" srcset=\"https:\/\/fifdh.org\/wp-content\/uploads\/2026\/01\/mybrotherskeeper_16_9_the_guardian_docs_720.webp 720w, https:\/\/fifdh.org\/wp-content\/uploads\/2026\/01\/mybrotherskeeper_16_9_the_guardian_docs_720-480x270.webp 480w\" sizes=\"(max-width: 720px) 100vw, 720px\" \/>  <\/div>  <figcaption><p>My Brother&#8217;s Keeper<\/p>\n<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:19px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-left\"><a href=\"https:\/\/www.theguardian.com\/documentaries\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>The Guardian Documentaries<\/strong><\/a><strong>&nbsp;<\/strong>partners with FIFDH 2026 to celebrate ten years of documentary filmmaking that gives voice to underrepresented human stories, bringing together strong visual language with rigorous journalistic foundations.<\/p>\n\n\n\n<p class=\"has-text-align-left\"> A special screening will present three emblematic short films:&nbsp;<em>My Brother\u2019s Keeper&nbsp;<\/em>by Laurence Topham,&nbsp;<em>We Did Not Consent&nbsp;<\/em>by Dorothy Allen-Pickard, and&nbsp;<em>Give Me Shelter&nbsp;<\/em>by Tom Silverstone. This partnership further encompasses the professional programme&nbsp;<a href=\"https:\/\/fifdh.org\/en\/pro\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Impact Days<\/strong><\/a>, with a panel featuring Lindsay Poulton (Editorial Director, Film &amp; TV) and other international professionals, as well as into the&nbsp;<a href=\"https:\/\/fifdh.org\/en\/schools\/programme-for-schools-2026\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Schools Programme<\/strong><\/a><strong>&nbsp;<\/strong>with&nbsp;<em>The Things We Don\u2019t Say&nbsp;<\/em>by Ornella Mutoni.<\/p>\n\n\n\n<div style=\"height:19px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"block block-image\">\n<figure>\n    <img decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fifdh.org\/wp-content\/uploads\/2026\/01\/The-guardian_169-1280x720.webp\" class=\"attachment-md size-md\" alt=\"\" srcset=\"https:\/\/fifdh.org\/wp-content\/uploads\/2026\/01\/The-guardian_169-1280x720.webp 1280w, https:\/\/fifdh.org\/wp-content\/uploads\/2026\/01\/The-guardian_169-480x270.webp 480w, https:\/\/fifdh.org\/wp-content\/uploads\/2026\/01\/The-guardian_169-854x480.webp 854w, https:\/\/fifdh.org\/wp-content\/uploads\/2026\/01\/The-guardian_169-1900x1069.webp 1900w, https:\/\/fifdh.org\/wp-content\/uploads\/2026\/01\/The-guardian_169.webp 1920w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" \/>    <figcaption><p><em>We Did Not Consent<br \/>\n<\/em>\u00a0(The Guardian Documentaries)<\/p>\n<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"block block-image\">\n<figure>\n    <img decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fifdh.org\/wp-content\/uploads\/2026\/01\/Alice-au-pays-des-colons_169-1280x720.webp\" class=\"attachment-md size-md\" alt=\"\" srcset=\"https:\/\/fifdh.org\/wp-content\/uploads\/2026\/01\/Alice-au-pays-des-colons_169-1280x720.webp 1280w, https:\/\/fifdh.org\/wp-content\/uploads\/2026\/01\/Alice-au-pays-des-colons_169-480x270.webp 480w, https:\/\/fifdh.org\/wp-content\/uploads\/2026\/01\/Alice-au-pays-des-colons_169-854x480.webp 854w, https:\/\/fifdh.org\/wp-content\/uploads\/2026\/01\/Alice-au-pays-des-colons_169-1900x1069.webp 1900w, https:\/\/fifdh.org\/wp-content\/uploads\/2026\/01\/Alice-au-pays-des-colons_169.webp 1920w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" \/>    <figcaption><p><em>Alice au pays des colons<br \/>\n<\/em>(Blast)<\/p>\n<\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<p>The Festival inaugurates a new collaboration with the independent feminist media outlet&nbsp;<a href=\"https:\/\/revueladeferlante.fr\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>La D\u00e9ferlante<\/strong><\/a>, through a Forum dedicated to unpaid labour as a starting point for rethinking trade union struggles.<\/p>\n\n\n\n<p> It further renews its partnership with&nbsp;<a href=\"https:\/\/www.blast-info.fr\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Blast<\/strong><\/a>, with the screening of&nbsp;<em>Alice au pays des colons&nbsp;<\/em>by Yanis Mhamdi as a particularly resonant moment, a documentary that reveals the everyday forms of resistance of a Palestinian family facing settler violence in the West Bank.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center has-white-color has-vivid-red-background-color has-text-color has-background has-link-color wp-elements-af8d0de82a9fc25dcc84366ac372dabf\"><strong><strong>FIFDH supports the campaign<br>against the SSR initiative<\/strong><\/strong><\/h2>\n\n\n\n<p class=\"has-text-align-left has-white-background-color has-background\">In an age of misinformation, fake news, and manipulative content\u2014amplified by artificial intelligence\u2014the FIFDH reaffirms the importance of reliable, independent, and impartial public media. These issues lie at the heart of the reflections of the&nbsp;24\u1d57\u02b0&nbsp;edition.<br><br>In this context, the Festival supports the campaign&nbsp;<a href=\"https:\/\/initiative-ssr-non.ch\/?gad_source=1&amp;gad_campaignid=23330758315&amp;gbraid=0AAAABBoix-bkiwpPNOP89T9_DsZKcP-vx&amp;gclid=CjwKCAiAybfLBhAjEiwAI0mBBvZabYVxqQZslvBLPgbWtQ3_9T_2BNaA75qAjSOZdIrTATQPGyuALRoCa_AQAvD_BwE\" target=\"_blank\" rel=\"noreferrer noopener\">against the SSR initiative<\/a>. A reduction in its funding would jeopardize public service media and undermine access for the entire Swiss population to an independent, high-quality source of information. Indeed, the SSR guarantees fact-checking and access to comprehensive, pluralistic information. <br><br>Furthermore, alongside the FOC, the SSR is one of the main supporters of Swiss cinema. It makes a significant contribution to the production and distribution of cultural works from all regions and sectors of the country. Without this collaboration, many projects would struggle to see the light of day.<\/p>\n\n\n<div class=\"block block-button \">\n  <div class=\"d-flex mx-auto justify-content-center my-3\">\n          <a class=\"btn btn-outline btn-outline-fifdh  my-auto   \" href=\"https:\/\/initiative-ssr-non.ch\/?gad_source=1&#038;gad_campaignid=23330758315&#038;gbraid=0AAAABBoix-aaoqZJvcionprA57083qxkF&#038;gclid=Cj0KCQiAvtzLBhCPARIsALwhxdom63_OLPfclezifoanxRYdXOallHjTwfMYZr8chVv9NoI-SocUUcYaAjU-EALw_wcB%20\" target=\"_blank\">\n        <span>Against SSR Initiative <\/span>\n      <\/a>\n      <\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>\u00a0In dialogue with a programme that brings together documentary and fiction, the Festival explores how images shape our perception of the world, while inaugurating new collaborations with engaged media outlets. <\/p>\n","protected":false},"author":39,"featured_media":42572,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[25,28],"class_list":["post-42560","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-festival","category-fifdh"],"acf":[],"_links":{"self":[{"href":"https:\/\/fifdh.org\/en\/wp-json\/wp\/v2\/posts\/42560","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fifdh.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fifdh.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fifdh.org\/en\/wp-json\/wp\/v2\/users\/39"}],"replies":[{"embeddable":true,"href":"https:\/\/fifdh.org\/en\/wp-json\/wp\/v2\/comments?post=42560"}],"version-history":[{"count":5,"href":"https:\/\/fifdh.org\/en\/wp-json\/wp\/v2\/posts\/42560\/revisions"}],"predecessor-version":[{"id":42579,"href":"https:\/\/fifdh.org\/en\/wp-json\/wp\/v2\/posts\/42560\/revisions\/42579"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fifdh.org\/en\/wp-json\/wp\/v2\/media\/42572"}],"wp:attachment":[{"href":"https:\/\/fifdh.org\/en\/wp-json\/wp\/v2\/media?parent=42560"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fifdh.org\/en\/wp-json\/wp\/v2\/categories?post=42560"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}