{"id":36289,"date":"2025-03-05T12:31:52","date_gmt":"2025-03-05T11:31:52","guid":{"rendered":"https:\/\/fifdh.org\/news\/play-suisse-redecouvrez-une-selection-de-films-du-fifdh-depuis-2016\/"},"modified":"2025-03-07T13:51:10","modified_gmt":"2025-03-07T12:51:10","slug":"play-suisse-redecouvrez-une-selection-de-films-du-fifdh-depuis-2016","status":"publish","type":"post","link":"https:\/\/fifdh.org\/en\/news\/play-suisse-redecouvrez-une-selection-de-films-du-fifdh-depuis-2016\/","title":{"rendered":"Play Suisse : (re)discover a selection of films from the FIFDH&#8217;s past editions since 2016"},"content":{"rendered":"\n<div style=\"height:32px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div>\n  <h2 class=\"block block-heading text-center col-xxl-10 mx-auto layout-header\">Programm\u00e9s lors des anciennes \u00e9ditions du Festival ou s\u00e9lectionn\u00e9s dans le cadre des Impact Days, une collection de 14 films est disponible d\u00e8s maintenant sur Play Suisse &#8211; RTS &#8211; Radio T\u00e9l\u00e9vision Suisse. Un grand merci \u00e0 notre fid\u00e8le partenaire SRG SSR de donner de la visibilit\u00e9 aux films engag\u00e9s !<\/h2>\n<\/div>\n\n\n<div style=\"height:var(--wp--preset--spacing--60)\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"block block-image\">\n<figure>\n    <img decoding=\"async\" width=\"1280\" height=\"852\" src=\"https:\/\/fifdh.org\/wp-content\/uploads\/2025\/03\/FIFDH_11032023_viedevantelle\u00a9MiguelBueno1609-1280x852.webp\" class=\"attachment-md size-md\" alt=\"Public qui regarde un \u00e9cran de cin\u00e9ma au FIFDH 2023\" srcset=\"https:\/\/fifdh.org\/wp-content\/uploads\/2025\/03\/FIFDH_11032023_viedevantelle\u00a9MiguelBueno1609-1280x852.webp 1280w, https:\/\/fifdh.org\/wp-content\/uploads\/2025\/03\/FIFDH_11032023_viedevantelle\u00a9MiguelBueno1609-480x319.webp 480w, https:\/\/fifdh.org\/wp-content\/uploads\/2025\/03\/FIFDH_11032023_viedevantelle\u00a9MiguelBueno1609-854x568.webp 854w, https:\/\/fifdh.org\/wp-content\/uploads\/2025\/03\/FIFDH_11032023_viedevantelle\u00a9MiguelBueno1609-1900x1264.webp 1900w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" \/>    <figcaption><p><\/p><\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:var(--wp--preset--spacing--60)\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div>\n  <h2 class=\"block block-heading text-center layout-section\">\u00c0 (re)d\u00e9couvrir sur Play Suisse<\/h2>\n<\/div>\n\n\n<div class=\"wp-block-columns col-xxl-8 mx-auto mb-3 is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"block block-image\">\n<figure>\n  <div class=\"ratio ratio-16x9\">  <img decoding=\"async\" width=\"300\" height=\"140\" src=\"https:\/\/fifdh.org\/wp-content\/uploads\/2025\/03\/390529.webp\" class=\"img-cover\" alt=\"\" \/>  <\/div>  <figcaption><p><\/p><\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"mb-0\">Sabine Gisiger, 2017<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><em><strong><em><strong><em><strong><strong><a href=\"https:\/\/www.playsuisse.ch\/detail\/895737?locale=fr\" target=\"_blank\" rel=\"noreferrer noopener\">Bienvenue en Suisse<\/a><\/strong><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/h2>\n\n\n\n<p class=\"pt-1 mt-0\">Andreas Glarner, the mayor of a wealthy Aargau community, wants to set an example and refuses to accept ten refugees into his village. But within the community, on the initiative of Johanna G\u00fcndel, a student and daughter of a local market gardener, resistance is forming against the mayor&#8217;s policy.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:var(--wp--preset--spacing--50)\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns col-xxl-8 mx-auto mb-3 is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"block block-image\">\n<figure>\n  <div class=\"ratio ratio-16x9\">  <img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/fifdh.org\/wp-content\/uploads\/2025\/03\/csm_Big_Little_Women_Site_23e48e62ce.webp\" class=\"img-cover\" alt=\"\" \/>  <\/div>  <figcaption><p><\/p><\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"mb-0\">Nadia Fares, 2022<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><em><strong><em><strong><em><strong><strong><a href=\"https:\/\/www.playsuisse.ch\/detail\/3019648?locale=fr\" target=\"_blank\" rel=\"noreferrer noopener\">Big little women<\/a><\/strong><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/h2>\n\n\n\n<p class=\"pt-1 mt-0\">Filmmaker Nadia Fares mischievously transforms her tribute to her much-loved Egyptian father into a chronicle of the status of women in Egypt and Switzerland. Her film explores the influence of patriarchal tradition between East and West.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:var(--wp--preset--spacing--50)\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns col-xxl-8 mx-auto mb-3 is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"block block-image mt-0\">\n<figure>\n  <div class=\"ratio ratio-16x9\">  <img decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/fifdh.org\/wp-content\/uploads\/2025\/03\/csm_9749fa560424b0406007d368a3a8ed9d_c11c8356e6.webp\" class=\"img-cover\" alt=\"\" srcset=\"https:\/\/fifdh.org\/wp-content\/uploads\/2025\/03\/csm_9749fa560424b0406007d368a3a8ed9d_c11c8356e6.webp 640w, https:\/\/fifdh.org\/wp-content\/uploads\/2025\/03\/csm_9749fa560424b0406007d368a3a8ed9d_c11c8356e6-480x270.webp 480w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/>  <\/div>  <\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"mb-0\">Fulvio Bernasconi, 2018<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><em><strong><em><strong><em><strong><a href=\"https:\/\/www.playsuisse.ch\/detail\/756263?locale=fr\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Dick Marty \u2013 Un cri pour la justice<\/strong> <\/a><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/h2>\n\n\n\n<p class=\"pt-1 mt-0\">After the attacks of 11 September 2001, the US government concluded secret agreements with European governments to combat terrorism. A flagrant violation of international treaties, the rule of law and the laws of European countries. When the Washington Post revealed this secret pact in 2005, the Council of Europe asked Swiss parliamentarian Dick Marty to investigate.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:var(--wp--preset--spacing--50)\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns col-xxl-8 mx-auto mb-3 is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"block block-image\">\n<figure>\n  <div class=\"ratio ratio-16x9\">  <img decoding=\"async\" width=\"1280\" height=\"692\" src=\"https:\/\/fifdh.org\/wp-content\/uploads\/2025\/03\/Foudre_Photogramme_00193518-1280x692.webp\" class=\"img-cover\" alt=\"\" srcset=\"https:\/\/fifdh.org\/wp-content\/uploads\/2025\/03\/Foudre_Photogramme_00193518-1280x692.webp 1280w, https:\/\/fifdh.org\/wp-content\/uploads\/2025\/03\/Foudre_Photogramme_00193518-480x259.webp 480w, https:\/\/fifdh.org\/wp-content\/uploads\/2025\/03\/Foudre_Photogramme_00193518-854x462.webp 854w, https:\/\/fifdh.org\/wp-content\/uploads\/2025\/03\/Foudre_Photogramme_00193518-1900x1027.webp 1900w, https:\/\/fifdh.org\/wp-content\/uploads\/2025\/03\/Foudre_Photogramme_00193518.webp 1998w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" \/>  <\/div>  <figcaption><p><\/p><\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"mb-0\">Carmen Jaquier, 2022<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><em><strong><strong><a href=\"https:\/\/www.playsuisse.ch\/detail\/3037856?locale=fr\" target=\"_blank\" rel=\"noreferrer noopener\">Foudre<\/a><\/strong><\/strong><\/em><\/h2>\n\n\n\n<p class=\"pt-1 mt-0\">Summer 1900, in a valley in southern Switzerland. Elisabeth is seventeen and preparing to take her vows when the sudden death of her elder sister forces her to return to her family and the life of hard work she had left five years earlier to enter a convent.<\/p>\n\n\n\n<figure class=\"wp-block-embed alignwide is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Foudre \u2022 Extrait\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/dEFCrCijRXA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:var(--wp--preset--spacing--50)\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns col-xxl-8 mx-auto mb-3 is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"block block-image mt-0\">\n<figure>\n  <div class=\"ratio ratio-16x9\">  <img decoding=\"async\" width=\"300\" height=\"140\" src=\"https:\/\/fifdh.org\/wp-content\/uploads\/2025\/03\/389527.webp\" class=\"img-cover\" alt=\"\" \/>  <\/div>  <\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"mb-0\">Germinal Roaux, 2018<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><em><strong><strong><a href=\"https:\/\/www.playsuisse.ch\/detail\/1047240?locale=fr\" target=\"_blank\" rel=\"noreferrer noopener\">Fortuna<\/a><\/strong><\/strong><\/em><\/h2>\n\n\n\n<p class=\"mb-0\">Fortuna, 14, a young Ethiopian teenager, who has had no news of her parents since arriving in Lampedusa, Italy, is being welcomed in Switzerland with other refugees in a hospice at an altitude of over 2,000 metres to spend the winter. A community of Catholic monks takes them in until their situation is regularised by the Swiss authorities. It is here that Fortuna meets Kabir, a 26-year-old African refugee, and falls head over heels in love with him. Their relationship develops behind closed doors until the day Kabir disappears.<\/p>\n\n\n\n<figure class=\"wp-block-embed alignwide is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"FORTUNA Trailer FR\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/Mqa6zSgKhtI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:var(--wp--preset--spacing--50)\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns col-xxl-8 mx-auto mb-3 is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"block block-image mt-0\">\n<figure>\n  <div class=\"ratio ratio-16x9\">  <img decoding=\"async\" width=\"300\" height=\"140\" src=\"https:\/\/fifdh.org\/wp-content\/uploads\/2025\/03\/390460.webp\" class=\"img-cover\" alt=\"\" \/>  <\/div>  <\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"mb-0\">Anne-Fr\u00e9d\u00e9rique Widmann, 2018<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><em><a href=\"https:\/\/www.playsuisse.ch\/detail\/930533?locale=fr\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Free men<\/strong><\/a><\/em><\/h2>\n\n\n\n<p class=\"pt-1 mt-0\">Narrated by the charismatic voice of Kenneth Reams, this is a film about resilience. On death row for 25 years, Kenneth has pushed back the walls of his cell to become a painter, poet, founder of a non-profit organisation and organiser of arts events &#8211; all while fighting for justice. At 18, Kenneth was convicted of murder without firing a shot, making him the youngest inmate in Arkansas.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"FREE MEN TRAILER\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/a4KMzcGU1bA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:var(--wp--preset--spacing--50)\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns col-xxl-8 mx-auto mb-3 is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"block block-image mt-0\">\n<figure>\n  <div class=\"ratio ratio-16x9\">  <img decoding=\"async\" width=\"320\" height=\"180\" src=\"https:\/\/fifdh.org\/wp-content\/uploads\/2025\/03\/mq1.webp\" class=\"img-cover\" alt=\"\" \/>  <\/div>  <\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"mb-0\">Raoul Peck, 2016<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong><em><strong><a href=\"https:\/\/www.playsuisse.ch\/detail\/932884?locale=fr\" target=\"_blank\" rel=\"noreferrer noopener\">I am not your Negro<\/a><\/strong><\/em><\/strong><\/h2>\n\n\n\n<p class=\"pt-1 mt-0\">Based on the unfinished writings of James Baldwin, this visual essay explores the theme of racism through the stories of Medgar Evers, Malcolm X and Martin Luther King Jr.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"I Am Not Your Negro \u2013 Trailer\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/Tgn1MhXdvPs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>Prix Gilda Viera de Mello, en hommage \u00e0 son fils Sergio Vieira de Mello, FIFDH 2017<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:var(--wp--preset--spacing--50)\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns col-xxl-8 mx-auto mb-3 is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"block block-image mt-0\">\n<figure>\n  <div class=\"ratio ratio-16x9\">  <img decoding=\"async\" width=\"350\" height=\"220\" src=\"https:\/\/fifdh.org\/wp-content\/uploads\/2025\/03\/csm_a5fbffd1e92c44ad2de929c8ea24765b_4f01b517bb.webp\" class=\"img-cover\" alt=\"\" \/>  <\/div>  <\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"mb-0\">Alain Ughetto, 2022<\/p>\n\n\n\n<h2 class=\"wp-block-heading mb-0\"><strong><em><a href=\"https:\/\/www.playsuisse.ch\/detail\/3124977?locale=fr\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Interdit aux chiens et aux italiens<\/strong> <\/a><\/em><\/strong><\/h2>\n\n\n\n<p class=\"pt-1 mt-0\">Luigi Ughetto and his brothers left behind their village of Ughettera, the land of the Ughetto family in their native Piedmont, to discover &#8220;La Merica&#8221;, that fabulous land where dollars grow on trees. Luigi&#8217;s destination for America is Provence. His story is that of hundreds of thousands of Italians who have left their homeland to settle in France, Switzerland, Belgium and elsewhere.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:var(--wp--preset--spacing--50)\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns col-xxl-8 mx-auto mb-3 is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"block block-image mt-0\">\n<figure>\n  <div class=\"ratio ratio-16x9\">  <img decoding=\"async\" width=\"1280\" height=\"536\" src=\"https:\/\/fifdh.org\/wp-content\/uploads\/2025\/03\/JR_FINAL_pour_etalonnage_006494-1280x536.webp\" class=\"img-cover\" alt=\"\" srcset=\"https:\/\/fifdh.org\/wp-content\/uploads\/2025\/03\/JR_FINAL_pour_etalonnage_006494-1280x536.webp 1280w, https:\/\/fifdh.org\/wp-content\/uploads\/2025\/03\/JR_FINAL_pour_etalonnage_006494-480x201.webp 480w, https:\/\/fifdh.org\/wp-content\/uploads\/2025\/03\/JR_FINAL_pour_etalonnage_006494-854x358.webp 854w, https:\/\/fifdh.org\/wp-content\/uploads\/2025\/03\/JR_FINAL_pour_etalonnage_006494-1900x796.webp 1900w, https:\/\/fifdh.org\/wp-content\/uploads\/2025\/03\/JR_FINAL_pour_etalonnage_006494.webp 2048w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" \/>  <\/div>  <\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"mb-0\">Juan Jos\u00e9 Lozano et Zolt\u00e1n Horv\u00e1th, 2022<\/p>\n\n\n\n<h2 class=\"wp-block-heading mb-0\"><strong><em><strong><a href=\"https:\/\/www.playsuisse.ch\/detail\/2357851?locale=fr\" target=\"_blank\" rel=\"noreferrer noopener\">Jungle rouge<\/a><\/strong><\/em><\/strong><\/h2>\n\n\n\n<p class=\"pt-1 mt-0\">In 2008, Raul Reyes, FARC&#8217;s second-in-command, was killed in a raid orchestrated by the CIA and the Colombian army. Ten years of emails written by the man responsible for negotiating the release of 100 hostages &#8211; including Ingrid Betancourt.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Jungle rouge \u2022 Trailer\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/UXEHzJn1LPM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:var(--wp--preset--spacing--50)\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns col-xxl-8 mx-auto mb-3 is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"block block-image mt-0\">\n<figure>\n  <div class=\"ratio ratio-16x9\">  <img decoding=\"async\" width=\"278\" height=\"156\" src=\"https:\/\/fifdh.org\/wp-content\/uploads\/2025\/03\/Capture-decran-2025-03-06-a-17.14.02.webp\" class=\"img-cover\" alt=\"\" \/>  <\/div>  <\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"mb-0\">Nicolas Wadimoff, 2018<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><em><strong><strong><a href=\"https:\/\/www.playsuisse.ch\/detail\/926158?locale=fr\" target=\"_blank\" rel=\"noreferrer noopener\">L\u2019Apollon de Gaza<\/a><\/strong><\/strong><\/em><\/h2>\n\n\n\n<p class=\"pt-1 mt-0\">Soon, rumours spread about this treasure coveted by all. Both a film-investigation and a reflection on history, we discover the little-known reality of a territory scarred by wars and a merciless blockade, but where life persists, dignified and unsubdued.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:var(--wp--preset--spacing--50)\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns col-xxl-8 mx-auto mb-3 is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"block block-image mt-0\">\n<figure>\n  <div class=\"ratio ratio-16x9\">  <img decoding=\"async\" width=\"279\" height=\"156\" src=\"https:\/\/fifdh.org\/wp-content\/uploads\/2025\/03\/Capture-decran-2025-03-06-a-17.11.05.webp\" class=\"img-cover\" alt=\"\" \/>  <\/div>  <\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"mb-0\">Emanuele Gerosa, 2019<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><em><strong><strong><a href=\"https:\/\/www.playsuisse.ch\/detail\/824727?locale=fr\" target=\"_blank\" rel=\"noreferrer noopener\">One more jump<\/a><\/strong><\/strong><\/em><\/h2>\n\n\n\n<p>Abdallah, leader and founder of the Gaza Parkour Team, travels to Italy to become a professional athlete, but the reality is harder than he imagined. Jehad, on the other hand, has stayed at home, training young people and looking after his ailing father, but continues to dream of leaving this conflict-ridden land.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:var(--wp--preset--spacing--50)\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns col-xxl-8 mx-auto mb-3 is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"block block-image mt-0\">\n<figure>\n  <div class=\"ratio ratio-16x9\">  <img decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/fifdh.org\/wp-content\/uploads\/2025\/03\/TOUT-COMMENCE_03-1280x720.webp\" class=\"img-cover\" alt=\"\" srcset=\"https:\/\/fifdh.org\/wp-content\/uploads\/2025\/03\/TOUT-COMMENCE_03-1280x720.webp 1280w, https:\/\/fifdh.org\/wp-content\/uploads\/2025\/03\/TOUT-COMMENCE_03-480x270.webp 480w, https:\/\/fifdh.org\/wp-content\/uploads\/2025\/03\/TOUT-COMMENCE_03-854x480.webp 854w, https:\/\/fifdh.org\/wp-content\/uploads\/2025\/03\/TOUT-COMMENCE_03-1900x1069.webp 1900w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" \/>  <\/div>  <\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"mb-0\">Fr\u00e9d\u00e9ric Choffat, 2022<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><em><strong><strong><a href=\"https:\/\/www.playsuisse.ch\/detail\/3104983?locale=fr\" target=\"_blank\" rel=\"noreferrer noopener\">Tout commence<\/a><\/strong><\/strong><\/em><\/h2>\n\n\n\n<p>Based on interviews with his two teenage children and activists, the director of this film weaves together an intimate reflection on Swiss youth caught between climate crisis and pandemic, but who continue to believe and commit despite everything. How can we still imagine a world that makes us dream?<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Tout Commence \u2022 Trailer\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/OSkjFLyNd_k?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:var(--wp--preset--spacing--50)\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns col-xxl-8 mx-auto mb-3 is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"block block-image mt-0\">\n<figure>\n  <div class=\"ratio ratio-16x9\">  <img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/fifdh.org\/wp-content\/uploads\/2025\/03\/csm_Urban_Genesis_Site_cc7734dc6d.webp\" class=\"img-cover\" alt=\"\" \/>  <\/div>  <\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"mb-0\">Dodo Hunziker, 2022<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><em><strong><strong><strong><a href=\"https:\/\/www.playsuisse.ch\/detail\/1716915?locale=fr\" target=\"_blank\" rel=\"noreferrer noopener\">Urban Genesis<\/a><\/strong><\/strong><\/strong><\/em><\/h2>\n\n\n\n<p>Ethiopian farmers and a team of international architects are joining forces to tackle one of the greatest challenges of our time: the demographic explosion and largely uncontrolled urbanisation in Africa. Can a small sustainable town show the way out of the migration crisis?<\/p>\n\n\n\n<p><strong>Catalogue Impact Days 2021<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:var(--wp--preset--spacing--50)\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns col-xxl-8 mx-auto mb-3 is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"block block-image mt-0\">\n<figure>\n  <div class=\"ratio ratio-16x9\">  <img decoding=\"async\" width=\"280\" height=\"155\" src=\"https:\/\/fifdh.org\/wp-content\/uploads\/2025\/03\/Capture-decran-2025-03-06-a-17.10.11.webp\" class=\"img-cover\" alt=\"\" \/>  <\/div>  <\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"mb-0\">Anna Thommen et Lorenz Nufer, 2019<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><em><strong><strong><strong><strong><a href=\"https:\/\/www.playsuisse.ch\/detail\/920617?locale=fr\" target=\"_blank\" rel=\"noreferrer noopener\">Volunteer<\/a><\/strong><\/strong><\/strong><\/strong><\/em><\/h2>\n\n\n\n<p>Together, they take responsibility where no one else will. They dare to leave their comfort zone and stand up for people in need.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:var(--wp--preset--spacing--50)\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Sabine Gisiger, 2017 Bienvenue en Suisse Andreas Glarner, the mayor of a wealthy Aargau community, wants to set an example and refuses to accept ten refugees into his village. But within the community, on the initiative of Johanna G\u00fcndel, a student and daughter of a local market gardener, resistance is forming against the mayor&#8217;s policy. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":36204,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[28],"class_list":["post-36289","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fifdh"],"acf":[],"_links":{"self":[{"href":"https:\/\/fifdh.org\/en\/wp-json\/wp\/v2\/posts\/36289","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fifdh.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fifdh.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fifdh.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fifdh.org\/en\/wp-json\/wp\/v2\/comments?post=36289"}],"version-history":[{"count":5,"href":"https:\/\/fifdh.org\/en\/wp-json\/wp\/v2\/posts\/36289\/revisions"}],"predecessor-version":[{"id":36301,"href":"https:\/\/fifdh.org\/en\/wp-json\/wp\/v2\/posts\/36289\/revisions\/36301"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fifdh.org\/en\/wp-json\/wp\/v2\/media\/36204"}],"wp:attachment":[{"href":"https:\/\/fifdh.org\/en\/wp-json\/wp\/v2\/media?parent=36289"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fifdh.org\/en\/wp-json\/wp\/v2\/categories?post=36289"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}